10 Questions That Will Help You Understand Why You Are Not Getting Photo Gigs

These ten questions you can answer will help you understand what you need to do.

Photo by the author.

It’s a tough market out there.

I mean, really tough.

Perhaps it is the most competitive and strangely challenging market we have ever seen in photography. Yeah, that could be it!

But guess what, my now-frustrated friends?

It is not a dead market by any stretch of the idea.

In fact, if you follow A Photo Editor on Instagram, you will find that while some photographers are having a tough time of it, others are having banner years.

What makes the difference?

I have no real idea. Anyone who tells you they do is lying unless they have interviewed every single one of these photographers.

But in my group of photographers, the ones that are thriving are doing so by changing their marketing to fit the times we live in.

Far too many photographers are operating like it was 1985, or 2015, or even February, 2020.

Yeah, those days are behind us and we have a vastly different landscape in front of us regarding finding and keeping clients.

Vastly. Different.

So what are you doing about it?

I have 10 questions that I want you to answer to find out what is going on in your photo business world.

Grab paper and pen.

Pencils are cool, too.

1. Do you have a price list for typical, repeatable types of assignments?
   Like drop-n-pops, corporate headshots, grip-n-grins, or basic product shots on white? These are items that you should consider productizing, and not bid every bloody one of them.

2. Have you established a base price for your shoots?
   What is the lowest price you will shoot for? For me, it is $500. The simplest photo is going to be $500 and up even if it only takes me 15 minutes. So if it is something in the productized items, they have to have enough to add up to $500. On some jobs, I add that as a base before I begin figuring out the shoot fee. This is usually for smaller gigs under $2K. This is important.

3. Do you have a social media plan?
   First of all, you should know that Instagram is not going to save you. Not even close. And if you are posting here and there without consistency, a plan, and some sort of system, you may as well be photographing that comfort food you eat in the studio while not working. Sorry, but social media is a process, not a randomly approached freebie. Social media can be beneficial, but it is tangential to finding work that will sustain you.

4. How healthy is your marketing strategy/system?
   A marketing strategy is different than a marketing plan. One is semi-generic; the other is focused and deliberate. You must have a solid plan, but just like a dream, it is useless without execution. Your strategy forces your system, and your system feeds your strategy. Both are on full display as you take action to bring in the clients who need you.

5. Is your portfolio worth a client’s time?
   Ooh, that one is a little spicy, but I am not sorry. It is simply something I am seeing more and more. Badly designed, or worse, boring websites that look like a free version of something that was offered along with your hosting plan. And in many situations, it usually is. Listen, you need a clean, modern, lovely, cool, terrific website. We are in the visual arts, you know. And if our website makes us look like we have no visual taste… well… that is not going to help our cause as we seek to make photographs for people who DO HAVE visual taste.

6. How big is your email list?
   If you are in a big city, 250 solid leads can be all you need. In a smaller town or region, you will need a few more, say 350. You do not get them all at one time. You must begin to gather them, research them, know who they are and what they do, and then begin to push your work out on a solid, irreversible, and consistent schedule. Failure to do this will create a huge problem for growth. This is not up for debate.

7. How many new portfolio images are you making each week?
   Yes, week. If you are not adding at least one image to your portfolio per week, then what the hell business are you in? This is what we do. This is what we show our clients we do. This is not optional, nor is it something we ignore for a time while awaiting the muse to strike us silly in the middle of the night. It is our job, our number one job. To not understand that is to go swimming with anchors on your legs.

8. Do you know your numbers?
   If I say KPI, do you know what it means? Do you know and track your KPI? How about a P&L? How much do you spend on advertising or promotion? How much profit did you have last year? Did you know that your net is not profit unless you have set yourself a salary? Not knowing the numbers of your business can lead to making bad decisions, wasting money, or ending up behind the 8-ball at a crucial time.

9. How strong is your contract?
   You do have a contract. I know you do because you follow me and know how much I believe in rock-solid, well-presented contracts. Are you protected against a non-paying client? What happens if the client cancels or doesn’t take possession of the images? Who is responsible if someone, even someone who signed a model release, decides to go nuts and sue? What about if the client decides the model you hired or the food stylist is not what they had in mind and wants a reshoot on your dime? Contracts can be boring until you need yours to fend off a disaster. Ya know.

10. Do you know how to sell?
    Because everything we do is sales. Yeah, I know, you don’t want to be a salesperson, and selling is such a turnoff, and yadda yadda yadda. Talk to the hand. You have only one other choice, and it doesn’t involve using cameras at any point in your day, but you’re gonna know how to flip a fry basket. It is a sales business. Whether you like it or not is irrelevant. But it doesn’t have to be icky, or painful if you do it right, and with your own twist on it. If you don’t know how, learn to sell.

OK, so how’d you do?

Do you see what you are doing right?

Are there any places where you could do better?

If there are, you now have a list, a roadmap, to where you need to put some attention.

If you have taken my Client Acquisition Sprint for Serious Photographers, you did pretty well.

These are the subjects we cover, and more, like:

• learning how to talk to an established art buyer versus a direct client

• knowing how to work with a magazine to maximize your fee

• how to bid a job when you know there are other players

• what your website must have and what it can do without

• understanding the power of repetition, consistency, and message

• what to do when you start to feel down

• ways to make marketing a blast instead of a drag

• strategies for getting attention from the clients you want to work for

• building a strong asset list of vendors, creatives, and others

• shaping your offer for a client’s instant attention

• ways to write sales letters, cold emails, and marketing emails that get read

We do this in five straight days, so you can get to it, start working on the system, and find clients ASAP. This system works. The quicker you start working with this system, the faster you will see results in the form of client inquiries and purchase orders.

I have kept the price super low so you have no reason to not jump in and get to work.

I ran this twice last year, and both times received super great reviews.

But I most likely will not do it again until this summer.

Thing is, if you take it this time, you may be too busy to take it in the summer.

And that is a good thing.

I know this works.

One of my group mentees let us know that she adopted one of the strategies, sent out 12 emails last week, and by Tuesday this week (January 23, 2024), she had received four notes back and three appointments to discuss working with agencies. And these agencies are all over the US, not just in her town.

Another photographer changed up his website and got three inquiries on the first day of the new launch.

I am not promising your success. I am promising that if you give this a try, by next Friday you will be far closer to finding and landing commercial photo gigs than you are today

I only have room for four more as I want small groups to get to know each of you.

If you want 2024 to be more exciting and bring you more clients, hit this page and check out the program. I hope you sign up quickly; we start on Monday.

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When you are ready, here is how I can help you succeed.

Group Mentorship: a small group of photographers who meet to show images, work on their portfolio, and build their businesses with help from a wonderful group. Lifetime membership for one fee.

One-on-one Mentorship: You and me - working together in an intense 6-month push to get you on the way to over $30K in additional revenue. The work we lay down will help you increase and scale your business for years ahead.

The Creative Class: Expand your toolset and become a one-person visual agency capable of pulling in steady and repeated income. If you have questions, let me know, and I will answer them as fast as possible.
Discount codes for In the Framers:
Cohort Discount $197: $1000  |  A23CD7E72E
Creator Discount: $100: $197  |  2BA98E4053